New Release!
IN STOCK
IN STOCK
NEW RELEASE!
Nine hundred twenty-five Appalachian women have graduated from the life-changing New Opportunity School for Women programs located in Kentucky, North Carolina, and Virginia/West Virginia. In I Am Not a Nobody eleven of these courageous women share their life stories—difficult and painful stories of abuse, poverty, limited education, drugs, and early marriages. They also share their life-changing journeys with the New Opportunity School for Women where they became empowered to believe in themselves and their values and abilities and gained the courage to succeed—for themselves and their families.Now Available New Release
“In this collection, Marianne Peel takes a reader on a journey of the heart—from Greece and Turkey to Nepal and China, from Ukraine to the US. With passion, curiosity, and a keen eye for detail, Peel introduces readers to places and lives that seem, on the surface, to be far removed from her own. These are people—loving, shattered, joy-filled, and oh so human—with whom Peel shares the intimacy of story, music, and dance. No Distance Between Us is indeed the message, not just for Peel in her travels, but for all of us who are transported with the poet.”—Laura Apol, author of A Fine Yellow Dust
“Peel’s poems… reflect an astonishing awareness of detail, encompassing empathy and transformation. A haunting poetic accomplishment.”—Jan Freeman, author of Blue Structure and Simon Says
“Peel’s…lyrical tenderness and compassion for humanity reveal a keen eye and an abundance of the heart. Each poem tells a story, and each story tells a truth. Stunning.”—Julie Maloney, founder and director of Women Reading Aloud
“Peel’s pen brings us into a community of wise women and caring men scattered across the globe, in out of the way places. No Distance Between Us is a rich estuary, a houseboat of stories full of heart.”—Jeremy Paden,
“From the beautiful to the unimaginable, compassion radiates from ‘the underbelly of each word’ of No Distance Between Us. [Peel’s] exquisite storytelling voice brings to life vivid characters with their human joys and heartbreaking struggles. … The poetry…opens our hearts ‘to let in the light.’ To hold each other’s hands, and sing.”—Katerina Stoykova, author of Second Skin
Cover art, "Yearning to Roam," by Jana Kappeler; Cover photograph, "Starry Sky," by Wil Stewart; Frontispiece art by Alicia Kon; Interior illustrations by Annelisa Hermosilla
with foreword by Rebecca Gayle Howell
“The Tillable Land is a heart-racing, heart-breaking lyric, a liberating coming of age for our stunted relationship to all that feeds us. I am changed by this book.”—Rebecca Gayle Howell, Author of American Purgatory and Render/An Apocalypse and Poetry Editor, Oxford American
“Melva Sue Priddy’s The Tillable Land is a double helix of a book. One strand is a story about a family’s life—dairy farming and growing tobacco, and also food for the table—beginning with an initial purchase of an unforgiving seventy-acre plot of land that had been deemed untillable. The other strand concerns the oldest daughter who, from a very young age, bears onerous responsibilities both inside and outside a house ruled by a father who believes that children—and women—should be seen and not heard. Because she ‘could not be silent’ as she matures, her life is marked by the ‘tingling numbness’ of this past. Water runs through this book: falling, flowing, and pooling, it turns manure and silt into slurry, washes off topsoil, threatens to burst pipes and hoses in freezing temperatures, opens sinkholes, and thins menstrual blood. Perhaps this is what throws into relief ‘In the Adjoining Field,’ a poem about fire: ‘You have to burn off all the grease, / girl,’ says a grandmother lighting a skillet hung with ‘barbwire’ on a maple; ‘It’s how you get it clean.’ It’s another metaphor for a book probing one woman’s legacy of land and family, as she moves from her child-self onward to being a grandmother herself. Robert Frost’s ‘The land was ours before we were the land’s’ is a line that maps the trajectory of Melva Sue Priddy’s teeming book. The Tillable Land, often not pretty, formally enacts a winding, unwinding, rewinding journey that leads one woman, buttressed by smarts and beauty, to salvage from memory a place written into her DNA.”—Debra Kang Dean, author of Totem: America
“‘The farm raged with run-down fences,’ Melva Sue Priddy tells us early on in The Tillable Land, and ‘the family had no such boundaries.’ The poet sets those boundaries now, by chronicling a childhood where her father required his small children to do work they had neither the size nor strength to perform. Fear adrenalized her, and at age five, she could drive a diesel tractor by standing on the pedals. She lived on ‘land that god clothed / with rocks’ where ‘[s]ome of those rocks [were her] bones.’ Priddy makes brilliant use of the repetitive, braiding form of the villanelle to convey the relentless cycles of farm work. But somehow, amid this punishing labor, ‘another god spoke with [her]…and words warm songed through [her] veins.’ She never let go of that singing, and now she offers it to us. The next-to-last poem in this stunning collection finds Priddy at the Garden Center where she tells us, ‘Today I get what I want.’ Hallelujah!”—George Ella Lyon, Kentucky Poet Laureate, 2015–2016, author of Back to the Light
Cover art: Julien Dupré
In the Pasture (The Milk Maid) (detail), 1883, Oil on canvas
Collection of the University of Kentucky Art Museum, gift of Mr. and Mrs. Henry H. Knight, 1958; transferred from the Carnahan Conference Center.
Enjoy a preview of "What Chose To Be Remembered," one of the poems included in The Tillable Land by Melva Sue Priddy. What Chose To Be Remembered Scored by water frozen in our ponytails from morning wake-up call, scored by the broad hipped holstein walking within hand’s reach, her soiled rump following the soiled rump before her, scored by the wolf moon’s hunger and charm— her predatory eye fixed on us— scored by the unsteady ground, jarring, slowing our steps, bone-cold and familiar, each morning we coaxed the herd. But, too, each cow’s billowing breath, the silver-shimmered pond’s edge, the snowflakes’ images repeated just above the freezing water, and we were scored, too, by life’s tingling numbness.Copyright © 2022 Melva Sue Priddy
Publication Date: July 14, 2020 Limited Number of Hardcover in Stock
First Prize Winner of the North American Academy of Spanish Language Children and Young Adult Award Premio Campoy-Ada for 2020 in the Category Picture Book of Special Cultural Content Bilingual Edition (English and Spanish) "Haunting, beautiful watercolors and pen and ink drawings highlight the proud traditions of the Central American Nahuas. This emotional narrative beseeches everyone, everywhere, to understand why some things are worth dying for." –Foreword Reviews Precious things are worth a thousand-mile walk, mija… Las cosas preciousas valen una caminata de mil millas, mija… "Spoken by a mother to her small daughter as they are detained at a border wall, Under the Ocelot Sun is a powerful account of refugees’ plight. The mother speaks of the beauty of their Honduran homeland and of her abuela’s wisdom. She also touches on the violent forces they are fleeing. She wants her little one to know her heritage and why they have taken this perilous journey. Lyrically told (in English and Spanish) and vibrantly illustrated, this is a picture book for our time." George Ella Lyon Kentucky Poet Laureate 2015–2016 A portion of the net proceeds from the sale of Under the Ocelot Sun will go to support the work of El Futuro of North Carolina, a 501(c)(3) nonprofit outpatient clinic that provides comprehensive mental health services for Latino families in a bilingual environment of healing and hope. Interviews and Blog Posts Foreword Reviews Fanfare Interview “Under the Ocelot Sun: The Making of an illustrated Book”